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Title page of Bach's Opus 1 (Clavier-Übung I, 1731), the only time he seems to have used an opus number. Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA ...
Compositions by Johann Sebastian Bach printed during his lifetime (1685–1750) include works for keyboard instruments, such as his Clavier-Übung volumes for harpsichord and for organ, and to a lesser extent ensemble music, such as the trio sonata of The Musical Offering, and vocal music, such as a cantata published early in his career.
Organ Works (Bach, Johann Sebastian), Orgelwerke (Bach, Johann Sebastian): Scores at the International Music Score Library Project. Accessed: 09:23, 3 April 2016 (UTC). James Kibbie – Bach Organ Works: free downloads of the complete organ works of Johann Sebastian Bach, recorded by James Kibbie on original baroque organs in Germany. Accessed ...
J. S. Bach: The Organ Works. CD 6, track 11: The Art of Fugue, BWV 1080: Contrapunctus 18 in D minor. Archiv Produktion, 2000, Catalog No. 463712. Performed by Helmut Walcha at the Van Hagerbeer/Schnitger organ of the Grote or Sint-Laurenskerk, Alkmaar, The Netherlands. J. S. Bach: The Art of Fugue. CD 2: Contrapunctus 18 (Fuga a 4 Soggetti).
Bach performed the cantata in 1724, his first year in Leipzig on the First Sunday after Epiphany.The musicologist Alfred Dürr assumes that it was written already in Weimar, [2] whereas John Eliot Gardiner shares this view only for movements 1, 4 and 7. [3]
Bach structured the cantata in seven movements, framing by a chorale fantasia and a closing chorale a sequence of alternating recitatives and arias. He scored it for a chamber music ensemble of four vocal soloists (soprano (S), alto (A), tenor (T) and bass (B)), a four-part choir SATB, flauto traverso (Ft), oboe d'amore (Oa), two violins (Vl), one of them solo (Vs), viola (Va), and basso ...
Jesu, der du meine Seele (Jesus, you who [rescued] my soul), [1] BWV 78, is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for the 14th Sunday after Trinity and first performed it on 10 September 1724.
Bach wrote the cantata in his first year in Leipzig for Septuagesima, the third Sunday before Lent.The prescribed readings for the Sunday were taken from the First Epistle to the Corinthians, "race for victory" (1 Corinthians 9:24–10:5), and from the Gospel of Matthew, the parable of the Workers in the Vineyard (Matthew 20:1–16). [2]
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