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The film is a reworking of a very early Laurel and Hardy silent comedy, Do Detectives Think? and would itself be somewhat reworked eleven years later in their final American film, The Bullfighters. [citation needed] The characters of Butch and his girlfriend are similar to their original film Any Old Port. [citation needed]
Laurel and Hardy in the 1939 film The Flying Deuces. Their 1929 release Big Business is by far the most critically acclaimed of the silents. [67] Laurel and Hardy are Christmas tree salesmen who are drawn into a classic tit-for-tat battle, with a character played by James Finlayson, that eventually destroys his house and their car. [68]
Laurel and Hardy officially became a team the following year with their 11th silent short film, The Second Hundred Years (1927). [5] The pair remained with the Roach studio until 1940. [ 6 ] Between 1941 and 1945, they appeared in eight features and one short for 20th Century Fox and Metro-Goldwyn-Mayer . [ 7 ]
Way Out West is referenced in the 1979 film The Sheriff and the Satellite Kid when the Sheriff (Bud Spencer) ends up replicating Stan Laurel's thumb fire trick featured in the film. The opening scene of the 2018 biopic Stan & Ollie depicts a shooting of the film, with Laurel and Hardy arriving on the set for one of the dance scenes.
The Dancing Masters is a 1943 black and white American comedy film directed by Malcolm St. Clair, produced by 20th Century-Fox, and featuring Laurel and Hardy. A young Robert Mitchum has a small, uncredited role as a gangster posing as an insurance salesman.
As they grapple with the dire predicament, panic ensues, further compounded when Hardy's sneeze triggers the mattress to explode. The commotion attracts the attention of the hotel owner and law enforcement authorities, who enter the room just as Hardy's sneeze causes the ceiling to collapse, adding to the chaos and calamity.
After seeing Don with his son, and Frank Jr. performing, Jack imagines what it would be like if he had a boy: Playing his own imaginary son, Jack Benny Jr., he appears with Harlow and Frank Jr. as typical teenagers in a wild spoof of the "Twist" dance craze. The group performs the rock & roll tune "She Has a Wig, Contact Lenses, and a Nose Job."
The Laurel & Hardy Encyclopedia' author Glenn Mitchell contrasts the expanding-mayhem finale with earlier scenes, saying the film "contains what is in many respects the best of Laurel & Hardy's huge street battles. So good is this climactic sequence that other sections tend to be ignored: the opening bandstand segment is timed to a musical beat
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