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Nazi German architecture mixing modernist design with the ancient Swastika symbol.. Reactionary modernism is a term first coined by Jeffrey Herf [1] in the 1980s to describe the mixture of "great enthusiasm for modern technology with a rejection of the Enlightenment and the values and institutions of liberal democracy" that was characteristic of the German Conservative Revolutionary movement ...
Creating new conventions of art-making, they made acceptable in serious contemporary art circles the radical inclusion in their works of unlikely materials. Another pioneer of collage was Joseph Cornell , whose more intimately scaled works were seen as radical because of both his personal iconography and his use of found objects .
As an example, Andy Warhol's pop art across multiple mediums challenged traditional distinctions between high and low culture, and blurred the lines between fine art and commercial design. His work, exemplified by the iconic Campbell's Soup Cans series during the 1960s, brought the postmodernist sensibility to mainstream attention.
Clement Greenberg argues that modernist art excludes "anything outside itself". Others see modernist art, for example in blues and jazz music, as a medium for emotions and moods, and many works dealt with contemporary issues, like feminism and city life. Some artists and theoreticians even added a political dimension to American modernism.
Jarrell continues emphasizing African art and culture in "Shields and Candelabra Vest" (2015) by making the piece from cactus plants turned over to make frames for vibrant African shields. [2] For her "Jazz Scrabble Jacket" (2015), Jarrell brings together notions of jazz and blues music with images from the board game, Scrabble . [ 2 ]
The Counter-Enlightenment refers to a loose collection of intellectual stances that arose during the European Enlightenment in opposition to its mainstream attitudes and ideals. The Counter-Enlightenment is generally seen to have continued from the 18th century into the early 19th century, especially with the rise of Romanticism .
In historiography, historical revisionism is the reinterpretation of a historical account. [1] It usually involves challenging the orthodox (established, accepted or traditional) scholarly views or narratives regarding a historical event, timespan, or phenomenon by introducing contrary evidence or reinterpreting the motivations and decisions of the people involved.
In 1961 Art and Culture, Beacon Press, a highly influential collection of essays by Clement Greenberg was first published. Greenberg is primarily thought of as a formalist art critic and many of his most important essays are crucial to the understanding of Modern art history, and the history of modernism and Late Modernism. [20]