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A variant of Alley Oop called Ollie Oop was written by Paul T. Clark and Gary S. Paxton. The song was a tribute to Col. Oliver North, again performed by Gary S. Paxton while Paul was part of the background singers. The record was released as a single and was played in some major markets, but it never quite took off.
"Alley Oop" was the first song played on WLS-AM Radio in Chicago on May 2, 1960, when it changed format from farm programming to rock and roll. "Alley Oop" charted for 15 weeks on the Billboard Hot 100, peaking at number one for the week of July 11, 1960. [1] The song sold over one million copies and was awarded a gold disc by the RIAA. [4]
Beyond his early work as part of Skip & Flip, Paxton is best known for his involvement in two novelty hits: the 1960 No. 1 smash "Alley Oop" — written by Dallas Frazier and cut quickly with a group thrown together by Paxton's roommate Kim Fowley, the Hollywood Argyles — and a 1962 No. 1 hit inspired by the Mashed Potato dance craze ...
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The group hit the U.S. pop chart in 1960 with the song "Alley Oop", written by Dallas Frazier. [2] Their version of the tune hit No. 15 on the Billboard Hot 100 [2] and went No. 1 on Cashbox; while The Hollywood Argyles' version went to No. 1 on the Billboard chart, the Evergreens recording was a bigger hit on the East Coast. [1]
The song itself is a three-chord song, with a vamp played by guitar and bass, with accompaniment by piano and drum kit, which is repeated throughout. The song is also punctuated with a brief insistent tone played on a Theremin. The song bears some similarity to a previous American novelty record, "Alley Oop", from 1960.
Alley Oop is a syndicated comic strip created December 5, 1932, by American cartoonist V. T. Hamlin, who wrote and drew the strip through four decades for Newspaper Enterprise Association. Hamlin introduced a cast of colorful characters and his storylines entertained with a combination of adventure, fantasy, and humor.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
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