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Supported but the number of strings that can be added is limited to no more than 7 and no less than 4 and they can be set to any pitch within the range of 16.352Hz and 15804.266Hz, inclusive. Does not currently allow for different-length courses, e.g. five-string banjo.
Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification.
The N4 is a small reverse-headstock "super-strat" that features the Stephen's Extended Cutaway neck joint for easy access to the higher frets. It is outfitted with a Bill Lawrence and a Seymour Duncan pickup, and a licensed Floyd Rose -type tremolo.
In some sense, the Peavey EVH Wolfgang guitar [8] picked up where the Ernie Ball Music Man EVH model left off [9] with the prototype design being made by Peavey Design Engineer/Luthier Jim DeCola [10] (an amber quilted top model which still didn't have the Wolfgang headstock shape, but rather a Peavey classic one). On the second prototype ...
The '51's signature features were all retained, including the Telecaster neck and headstock style, the Stratocaster body shape, and the original Precision Bass pickguard and control plate, humbucking bridge and single coil neck pickups, as well as the rotary pickup selector, single volume control with push-pull coil-tap switch, and absent tone ...
Many guitarists believe that the OM—a combination of Martin's modified 14-fret 000 body shape, long scale (25.4") neck, solid headstock, 1-3/4" nut width, 4-1/8" maximum depth at the endwedge, and 2-3/8" string spread at the bridge—offers the most versatile combination of features available in a steel-string acoustic guitar.