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Apposition is a grammatical construction in which two elements, normally noun phrases, are placed side by side so one element identifies the other in a different way.The two elements are said to be in apposition, and one of the elements is called the appositive, but its identification requires consideration of how the elements are used in a sentence.
As a linguist, I am quite surprised to hear about 'restrictive appositives'. AFAIK, the distinction between restrictives and non-restrictives applies to RELATIVE clauses, with appositives intersecting with the latter class. For example: The man which is standing there is cool. (restrictive relative clause) Mary, who is standing there, is pretty.
For example, "John's beautiful wife" can be rewritten as "John's wife, who is beautiful", to avoid the suggestion of disambiguation between John's various wives. A sentence unmarked for restrictiveness, like "The red car is fancier than the blue one," can—if necessary—be rephrased to make it explicitly restrictive or non-restrictive:
For example, the noun aerobics has given rise to the adjective aerobicized. [3] Words combine to form phrases. A phrase typically serves the same function as a word from some particular word class. [3] For example, my very good friend Peter is a phrase that can be used in a sentence as if it were a noun, and is therefore called a noun phrase.
The distinction between restrictive, or integrated, relative clauses and non-restrictive, or supplementary, relative clauses in English is made both in speaking (through prosody), and in writing (through punctuation): a non-restrictive relative clause is surrounded by pauses in speech and usually by commas in writing, whereas a restrictive ...
A non-restrictive relative clause may have a whole sentence as its antecedent rather than a specific noun phrase; for example: The cat was allowed on the bed, which annoyed the dog . Here, which refers not to the bed or the cat but to the entire proposition expressed in the main clause, namely the situation of the cat being allowed on the bed.
Notable examples of constrained comics: . Gustave Verbeek's The Upside Downs of Little Lady Lovekins and Old Man Muffaroo, a weekly 6-panel comic strip in which the first half of the story was illustrated and captioned right-side-up, then the reader would turn the page up-side-down, and the inverted illustrations with additional captions describing the scenes told the second half of the story ...
For example the adjective "dry" only means "not sweet" in combination with the noun "wine". Such phrases are often considered idiomatic. Another example is the word "white", which has specific meanings when used with "wine", "coffee," "noise," "chess piece," or "person."