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LED stage lights come in three main types. PAR cans, striplights [1] and 'moving head' types [citation needed]. In LED PAR cans, a round printed circuit board with LEDs mounted on is used in place of a PAR lamp. Moving head types can either be a bank of LEDs mounted on a yoke or more conventional moving head lights with the bulb replaced with ...
The VL2 was a moving head spot luminaire, designed to replace the VL1 and make use of the bi-directional communication afforded by the Series 200 system. In addition to Pan, Tilt and Intensity, the VL2 featured two colour wheels, with 16 positions each (15 dichroic filters plus one open position for white—see US Patent 4800474. [25]) There ...
With the technology of halogen lamps improving, the 80s and early 90s saw a new breed of DJ light starting to evolve. This was a projection-style DJ light that used a halogen lamp and a mirror to reflect the light. A halogen lamp shines onto a mirror via a filter gel sheet to create the color and sometimes via a gobo wheel to create shapes. In ...
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Martin's current product line includes the Martin MAC Viper, the LED MAC Quantum series and MAC Aura and the RUSH DJ range, a successor to the Martin Mania range. Another of Martin's current product line is the Era series featuring the era 400 performance, the era 500 hybrid up, the era 600 performance, the era 300 profile and the era 800 ...
For this reason, intelligent lighting (ILS) is also known as automated lighting, moving lights, moving heads, or simply movers. More recently the term has fallen into disuse as abilities once reserved to a specific category of lighting instruments (most notably colour changing and variable focus) have become pervasive across a range of fixtures.
In recent years the emergence of moving lights (or automated lights) has had a substantial impact of theatre and stage lighting. Stage lighting. A typical moving light allows the designer to control the position, color, shape, size and strobing of the light beam created. This can be used for exciting effects for the entertainment or dancefloor use.
The DJ then moves the record forward while simultaneously closing the previously opened channel ending the first sound. Then, in a reverse fashion, the DJ opens the channel while moving the record backwards creating a more controlled sounding "baby scratch". Done in quick succession it sounds as though a chirp sound is being produced.
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