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Shuffle Along is a musical composed by Eubie Blake, with lyrics by Noble Sissle and a book written by the comedy duo Flournoy Miller and Aubrey Lyles. [1] [2] [3] One of the most notable all-Black hit Broadway shows, it was a landmark in African-American musical theater, credited with inspiring the Harlem Renaissance of the 1920s and '30s.
Swiss Miss, (1926) arrangement of a song from Lady, Be Good. Machinery Gone Mad, (1927) unpublished. Blue Monday, (1927) a piano suite based on Gershwin's one-act opera of the same name. Merry Andrew, (1928) arrangement of a dance piece from Rosalie. Three-Note Waltz, (1931) Also known as Melody #36.
Drama Desk Award for Outstanding Book. No, No, Nanette is a musical with a book by Otto Harbach and Frank Mandel based on Mandel's 1919 Broadway play My Lady Friends; lyrics by Irving Caesar and Harbach; and music by Vincent Youmans. The farcical story centers on three couples who find themselves together at a cottage in Atlantic City, New ...
Hadestown is musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
Rodgers (left) and Hammerstein (right) watching auditions at the St. James Theatre on Broadway in 1948. Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals.
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Berber fighters, against French colonial rule in Morocco. [1] It was also inspired by stories of Lawrence of Arabia aiding native guerrillas.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II.It is based on Edna Ferber's best-selling 1926 novel of the same name.The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927.
Anatomy of a Hit: Long-Run Plays on Broadway from 1900 to the Present Day. New York: Hawthorn Books, 1966. Schildcrout, Jordan. In the Long Run: A Cultural History of Broadway's Hit Plays. New York and London: Routledge, 2019. Sheward, David. It's a Hit!: The Back Stage Book of Longest-Running Broadway Shows, 1884 to the Present. New York: Back ...