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The Temple of Olympian Zeus, Athens, (174 BC–132 AD), with the Parthenon (447–432 BC) in the background. This list of ancient Greek temples covers temples built by the Hellenic people from the 6th century BC until the 2nd century AD on mainland Greece and in Hellenic towns in the Aegean Islands, Asia Minor, Sicily and Italy ("Magna Graecia"), wherever there were Greek colonies, and the ...
The Acropolis of Athens (Ancient Greek: ἡ Ἀκρόπολις τῶν Ἀθηνῶν, romanized: hē Akropolis tōn Athēnōn; Modern Greek: Ακρόπολη Αθηνών, romanized: Akrópoli Athinón) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance ...
The church of Hagia Sophia (on the skyline) at Monemvasia, classed as an ancient (immovable) monument [1] [2]. The cultural heritage (Greek: πολιτιστική κληρονομιά) of Greece, as defined by Law 4858/2021, includes archaeological sites, historical sites, monuments both immovable and movable, and intangible cultural heritage.
Tiryns (/ ˈ t ɪ r ɪ n z / or / ˈ t aɪ r ɪ n z /; Ancient Greek: Τίρυνς; Modern Greek: Τίρυνθα) is a Mycenaean archaeological site in Argolis in the Peloponnese, and the location from which the mythical hero Heracles was said to have performed his Twelve Labours. It lies 20 km (12 mi) south of Mycenae.
Sites that were in use in ancient Greek times from ca. 750 BC to 146 BC and consists of Archaic, Classical and Hellenistic sites in Greece. Subcategories This category has the following 9 subcategories, out of 9 total.
Pythia, the oracle, resided in the temple, receiving pilgrims from all Greece. In the 6th century BCE, Delphi was seen as the religious centre and symbol of unity of the ancient Greek world. [6] Acropolis, Athens: Attica: 1987 404; i, ii, iii, iv, vi (cultural) The Acropolis of Athens stands on a steep hill above the city.
The 18th century was a period of Ottoman stagnation—so that many more Europeans found access to Athens, and the picturesque ruins of the Parthenon were much drawn and painted, spurring a rise in philhellenism and helping to arouse sympathy in Britain and France for Greek independence.
Joining Norman and Battle were the London Metropolitan Orchestra and the Greek National Opera, as well as over a hundred people dressed in ancient Greek clothing. The screen mounted at the Olympia connected visual images of ancient Greek performances — vases, frescoes and statues — that invested music with images of the planet Mars. [7] [8]