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Generative literature is poetry or fiction that is automatically generated, often using computers. It is a genre of electronic literature , and also related to generative art . John Clark 's Latin Verse Machine (1830–1843) is probably the first example of mechanised generative literature, [ 1 ] [ 2 ] while Christopher Strachey 's love letter ...
If a poem, lyric or composition has a title, it is usually formatted in title case. If it is an untitled work and that poem, lyric, or composition uses the first line of text as its title, the title should be formatted in sentence case. If an article title is the name of a book or long poem, the title should be presented in italic text.
Alan Turing's biographer Andrew Hodges dates the creation of the love letter generator, also known as M.U.C., to the summer of 1952, when Strachey was working with Turing, although Gaboury dates its creation to 1953. [2]
An example of a randomly generated title. The Postmodernism Generator is a computer program that automatically produces "close imitations" of postmodernist writing. It was written in 1996 by Andrew C. Bulhak of Monash University using the Dada Engine, a system for generating random text from recursive grammars. [1] A free version is also hosted ...
Bertram was the 2015 recipient of a National Endowment for the Arts Creative Writing Poetry Fellowship, [10] and the 2017 recipient of the Harvard University Woodberry Poetry Room Creative Grant. [11] In 2020 Bertram received the Anna Rabinowitz Prize for Travesty Generator, [12] which was also a nominee for the National Book Award for Poetry. [13]
Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
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A mesostic is a poem or other text arranged so that a vertical phrase intersects lines of horizontal text. It is similar to an acrostic, but with the vertical phrase intersecting somewhere in the midst of the line, as opposed to the beginning of each line.