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The term "Moorish" or "neo-Moorish" sometimes also covered an appropriation of motifs from a wider range of Islamic architecture. [19] [89] This style was a recurring choice for Jewish synagogue architecture of the era, where it was seen as an appropriate way to mark Judaism's non-European origins.
The "Moorish" garden structures built at Sheringham Park in Norfolk, ca. 1812, were an unusual touch at the time, a parallel to chinoiserie, as a dream vision of fanciful whimsy, not meant to be taken seriously; however, as early as 1826, Edward Blore used Islamic arches, domes of various size and shapes and other details of Near Eastern Islamic architecture to great effect in his design for ...
The Moorish sovereign movement, sometimes called the indigenous sovereign movement or the Rise of the Moors, is a small sub-group of sovereign that mainly holds to the teachings of the Moorish Science Temple of America, in that African Americans are descendants of the Moabites and thus are "Moorish" by nationality, and Islamic by faith.
Ibn Hazm, a Moorish polymath who was considered one of the leading thinkers of the Muslim World and is widely acknowledged as the father of Comparative religion studies. Ibn Idhari, a Moorish historian who was the author of (Al-Bayan al-Mughrib) an important medieval text on the history of the Maghreb and Iberia.
The Villa Zorayda in the early 1900s. Franklin W. Smith was an amateur architect [2] and pioneer experimenter in poured concrete construction. [5] His winter home, Villa Zorayda, was the first residence built in the Moorish Revival style in Florida, and the first poured concrete building in St. Augustine.
The houses of wealthy residents featured decoration typical of Moroccan architecture and medieval Moorish architecture, including carved and painted wood, carved stucco, and zellij (mosaic tilework). The center of larger houses could also be occupied by a riad garden ( Arabic : رياض ), particularly in places like Marrakesh where more space ...
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Iranistan was a Moorish Revival mansion in Bridgeport, Connecticut commissioned by P. T. Barnum in It was designed by Bohemian-American architect Leopold Eidlitz.At this "beautiful country seat" [1] Barnum played host to such famous contemporaries as the Hutchinson Family Singers, [2] Matthew Arnold, George Armstrong Custer, Horace Greeley, and Mark Twain. [3]