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It should only contain pages that are The Moody Blues songs or lists of The Moody Blues songs, as well as subcategories containing those things (themselves set categories). Topics about The Moody Blues songs in general should be placed in relevant topic categories .
The Moody Blues scored three top-ten singles on the Billboard Hot 100, with "Nights in White Satin" reaching number 2 in Billboard and number 1 in Cashbox. On the UK singles chart , the group also had three top-ten hits, with " Go Now " reaching number 1.
The Moody Bluegrass project is a group of Nashville artists who have recorded two tribute albums of Moody Blues songs in the bluegrass style. The first album, Moody Bluegrass – A Nashville Tribute to the Moody Blues , was released in 2004.
Some of the Moody Blues compilation and live albums list the song as "Tuesday Afternoon (Forever Afternoon)" to reflect both titles. "Tuesday Afternoon" was released as a single in 1968 and was the second single from Days of Future Passed (the first being " Nights in White Satin ").
"Question" is a 1970 single by the English progressive rock band the Moody Blues. It was written by guitarist Justin Hayward, who provides lead vocals."Question" was first released as a single in April 1970 and remains their second highest-charting song in the UK, reaching number two and staying on the chart for 12 weeks.
It is the only song to have been co-written by all five members of the band. "Procession" is one of the first commercial songs to make use of electronic drums. The instrument in question was a custom drum synth developed by Moody Blues drummer Graeme Edge and Sussex University professor Brian Groves. [1]
"Om" is one of several songs in the raga rock style on In Search of the Lost Chord. [1] While "The Word" and "Om" are generally played together, "The Word" was released on the band's 1974 compilation This Is The Moody Blues without "Om". However, the final word of "The Word", which is also the first word of "Om", was included.
All tracks performed by The Moody Blues. Tracks 1, 3–4, 9, 11, 13 and 15 written by Justin Hayward, tracks 2, 10 and 18–20 by Mike Pinder, track 5 by Hayward, Graeme Edge and Peter Knight, track 6 by Edge and John Lodge, tracks 7 and 14 by Ray Thomas, track 8 by Lodge, tracks 12 and 17 by Edge and track 16 by Hayward and Thomas
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