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Paint by number or painting by numbers kits are self-contained painting sets, designed to facilitate painting a pre-designed image. They generally include brushes , tubs of paint with numbered labels, and a canvas printed with borders and numbers.
In 1954, art critic Clement Greenberg introduced Morris Louis to painter Helen Frankenthaler, who was working in as a, "proto–color field painter". [3] Her painting, Mountains and Sea (1952) had an impact on Louis and many other painters in Washington, D.C., and they borrowed Frankenthaler's process of staining raw canvas with color.
The number of artists who stained in the 1960s greatly increased with the availability of acrylic paint. Staining acrylic paint into the fabric of cotton duck canvas was more benign and less damaging to the fabric of the canvas than the use of oil paint. In 1970 artist Helen Frankenthaler commented about her use of staining:
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works.
Acrylic on canvas: Dimensions: 216.5 cm × 164.8 cm (85.2 in × 64.9 in) ... (Magenta, Black, Green on Orange) is a 1949 oil on canvas painting of American artist ...
The new lining canvas was pressed down onto the back of the picture by hand; then the outer edges of the lining cloth were fastened to the table by means of a large number of tacks, and a piece of wood with a rounded edge was passed over the back of the cloth, to ensure perfect adhesion.
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