Search results
Results from the WOW.Com Content Network
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
Note 1: The verb form 酔い ("being intoxicated; intoxication") may be read in modern kana pronunciation as either ei, the archaic pronunciation based on the original kana spelling ゑひ (wefi in Classical Japanese), or as yoi, the modern reading after sound changes caused the base verb form eu to shift to you. The difference in reading ...
Japanese commonly use proverbs, often citing just the first part of common phrases for brevity. For example, one might say i no naka no kawazu (井の中の蛙, 'a frog in a well') to refer to the proverb i no naka no kawazu, taikai o shirazu (井の中の蛙、大海を知らず, 'a frog in a well cannot conceive of the ocean').
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
According to varying believers, Nichiren cited the mantra in his Ongi Kuden, [12] [dubious – discuss] a transcription of his lectures about the Lotus Sutra, Namu (南無) is a transliteration into Japanese of the Sanskrit namas, and Myōhō Renge Kyō is the Sino-Japanese pronunciation of the Chinese title of the Lotus Sutra (hence, Daimoku ...
Ichi-go ichi-e (Japanese: 一 期 一 会, pronounced [it͡ɕi.ɡo it͡ɕi.e], lit. "one time, one meeting") is a Japanese four-character idiom that describes a cultural concept of treasuring the unrepeatable nature of a moment. The term has been roughly translated as "for this time only", and "once in a lifetime".
Japanese does not have separate l and r sounds, and l-is normally transcribed using the kana that are perceived as representing r-. [2] For example, London becomes ロンドン (Ro-n-do-n). Other sounds not present in Japanese may be converted to the nearest Japanese equivalent; for example, the name Smith is written スミス (Su-mi-su).
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.