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Chinese blue-and-white ware were copied in Europe from the 16th century, with the faience blue-and-white technique called alla porcelana. Soon after the first experiments to reproduce the material of Chinese blue-and-white porcelain were made with Medici porcelain. These early works seem to be mixing influences from Islamic as well as Chinese ...
Chinese export porcelain from the late 17th century included blue-and-white and famille verte wares (and occasionally famille noire and famille jaune). Wares included garnitures of vases, dishes, teawares, ewers, and other useful wares along with figurines, animals and birds.
In 1970 a small fragment of a blue and white bowl, again dated to the 11th century, was also excavated in the province of Zhejiang. In 1975, shards decorated with underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an underglaze blue and white urn was excavated from a tomb dated to 1319, in the province of Jiangsu.
As the only firmly dated Yuan dynasty porcelains for many years, the vases have been considered as "one of the main cornerstones in the chronology of blue and white", and "linchpin in studies of the development of Chinese ceramics with underglaze blue decorations", [15] and the standard by which all other Yuan dynasty blue-and-white pieces may ...
Qingbai ("Blueish-white") glazed bowl with carved peony designs, Jingdezhen, Southern Song, 1127–1279 Early blue and white porcelain, c. 1335, the shape from Islamic metalwork. Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China.
In the Yuan dynasty Jizhou also produced Qingbai ware, as well as brown and white slip-painted wares that borrowed their technique from Cizhou ware, popular wares produced at many sites in north China, and may have been significant in influencing the start of blue and white pottery in Jingdezhen ware, from relatively nearby. [1]
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