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The conservation and restoration of silver objects is an activity dedicated to the preservation and protection of objects of historical and personal value made from silver. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
Derveni krater, bronze, 350 BC, height: 90.5 cm (35 1 ⁄ 2 in.), Inv. B1, Archaeological Museum of Thessaloniki, after cleaning and conservation. Conservation and restoration of metals is the activity devoted to the protection and preservation of historical (religious, artistic, technical and ethnographic) and archaeological objects made partly or entirely of metal.
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Matthias Weniger, curator of the Bavarian National Museum, lifts one of the 111 silver objects stolen by the Nazis from the Jews during the Third Reich, in Munich, Germany, Saturday, June 10, 2023.
Silver objects — created by silversmithing and other artistic methods. ... Conservation and restoration of silver objects; A. Ædwen's brooch; Aldobrandini Tazze;
Once the metal objects become stable they can survive for some time underwater unless their environment changes [9] Pure gold will usually survive underwater for a long period of time without corroding. With silver objects, it will corrode quite easily, become very fragile, and form layers of concretion.
A principal aim of a cultural conservator is to reduce the rate of deterioration of an object. Both non-interventive and interventive methodologies may be employed in pursuit of this goal. Interventive conservation refers to any direct interaction between the conservator and the material fabric of the object.
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