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35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
In motion picture equipment, the Mitchell BNC conversion to reflex was followed by the studio quiet XR35. The Cinema Products XR35 had a Mitchell NC camera inside a lightweight housing or blimp. The blimp was so close in size to the original camera, it looked small compared to the blimps made for Mitchell or Arriflex cameras.
Digital cameras are significantly more expensive to purchase than film equivalents. Prices are however dropping rapidly due to intense competition. Film cameras, on the other hand, are quite inexpensive to purchase, especially used equipment, but require ongoing film and development costs. [13]
Digital cinema is the digital technology used within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film.
Digital cinematography captures motion pictures digitally in a process analogous to digital photography.While there is a clear technical distinction that separates the images captured in digital cinematography from video, the term "digital cinematography" is usually applied only in cases where digital acquisition is substituted for film acquisition, such as when shooting a feature film.
A notable exception is the Nikon E2 and Nikon E3, using additional optics to convert the 35 mm format to a 2/3 CCD-sensor. A few 35 mm cameras have had digital camera backs made by their manufacturer, Leica being a notable example with the Leica R8–R9.
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