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Riding high on the success of his role in the hit TV show Starsky and Hutch, Soul returned to singing, which had been one of his early career choices.His debut, the Tony Macaulay-written-and-produced song was a worldwide smash, spending four weeks at No. 1 on the UK Singles Chart in January and February 1977, [4] and a single week at No. 1 on the Billboard Hot 100 in April 1977.
"Don't Give Up" is a song by Christian rock band Sanctus Real from their 2006 album The Face of Love. [1] The song was released as the third radio single in early 2007, and reached No. 1 on R&R 's Christian CHR chart in the beginning of May 2007.
The song appears on the soundtrack of the 1996 film Don't Be a Menace to South Central While Drinking Your Juice in the Hood. [1] The project of these artists was a part of Island Records' exploration into the gospel music scene. [2] The song peaked in the top 30 of the U.S. R&B chart.
"Don't Give Up" is a song written by English rock musician Peter Gabriel and recorded as a duet with English singer Kate Bush for Gabriel's fifth solo studio album So (1986). An edited version was released as the third single from the album in the UK on 20 October 1986 and as the fourth single in the US in March 1987. [ 2 ]
Double or Nothing is the second solo studio album by the American rapper and record producer Erick Sermon. It was released on November 7, 1995, via Rush Associated Labels. The album was produced by Sermon, Redman, Rockwilder, Rod 'KP' Kirkpatrick, and Ty Fyffe. It features contributions from Keith Murray, Redman, Jazze Pha, Passion, and Roz.
"Music" is a 2001 hit single by Erick Sermon featuring archived vocals from Marvin Gaye. The song was thought of by Sermon after buying a copy of Gaye's Midnight Love and the Sexual Healing Sessions album, which overlook some of the original album's earlier mixes. After listening to an outtake of Gaye's 1982 album track, "Turn On Some Music ...
The Sermon! was the second of two albums recorded on two dates at The Manhattan Towers Hotel Ballroom, the first was Smith's previous album, House Party (1958). Rudy Van Gelder used the ballroom as a recording studio for recording sessions in 1957-1958, while he was still using his parents' Hackensack, New Jersey home studio to record artists for Blue Note.
The song is described as a genre-bending banger beginning with "a post-apocalyptic vibe" with "dark synths contrasted by layered harmonic vocals." [ 8 ] [ 9 ] [ 10 ] About the song, Illenium told Billboard "I've looked up to Kill the Noise for a while now, so it was awesome to get a chance to work on a song with him...
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