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The bağlama is a synthesis of historical musical instruments in Central Asia and pre-Turkish Anatolia. It is partly descended from the Turkic komuz . The kopuz , or komuz , differs from the bağlama in that it has a leather-covered body and two or three strings made of sheep gut, wolf gut, or horsehair.
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
The komuz or qomuz (Kyrgyz: комуз Kyrgyz pronunciation:, Azerbaijani: Qopuz, Turkish: Kopuz) is an ancient fretless string instrument used in Central Asian music, related to certain other Turkic string instruments, the Mongolian tovshuur, and the lute. [1] The instrument can be found in Turkic ethnic groups, from China to Turkey.
The yaylı tambur [1] is a bowed long-neck lute from Turkey. [2] Derived from the older plucked mızraplı tambur variant of the Turkish tambur, it has a long, fretted neck and a round metal or wooden soundbox which is often covered on the front with a skin or acrylic head similar to that of a banjo.
The tar (from Persian: تار, lit. 'string') is a long-necked, waisted lute family instrument, used by many cultures and countries including Iran, Azerbaijan, Uzbekistan, Armenia, Georgia, Tajikistan (Iranian Plateau), Turkey, and others near the Caucasus and Central Asia regions.
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Similar instrument called barbat (Persian: بربت) or barbud was a lute of Greater Iranian or Persian origin. Unlike the short-necked unfretted oud , the buzuq has a longer neck, smaller body and frets tied to the neck, which can be moved to produce the microtonal intervals used in the many maqamat (musical modes).
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