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It is also an accompanying instrument in vocal works. The lute player either improvises ("realizes") a chordal accompaniment based on the figured bass part, or plays a written-out accompaniment (both music notation and tablature ("tab") are used for lute). As a small instrument, the lute produces a relatively quiet sound. The player of a lute ...
Lutes are stringed musical instruments that include a body and "a neck which serves both as a handle and as a means of stretching the strings beyond the body". [1]The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo ...
321: Instruments in which the strings run in a plane parallel to the sound table . For the western lute, see ... Pages in category "Lute family instruments"
Amati was originally a lute maker, but turned to the new instrument form of violin in the mid-16th century. He was the progenitor of the Amati family of luthiers active in Cremona, Italy until the 18th century. Andrea Amati had two sons. His eldest was Antonio Amati (circa 1537–1607), and the younger, Girolamo Amati (circa 1561–1630 ...
For other instruments also labelled "lutes", see Category:Lute family instruments Subcategories This category has the following 6 subcategories, out of 6 total.
The laouto (Greek: λαούτο, pl. laouta λαούτα) is a long-neck fretted instrument of the lute family, found in Greece and Cyprus, and similar in appearance to the oud. [1] It has four double-strings. It is played in most respects like the oud (plucked with a long plectrum); in Cyprus the laouto is plucked with a feather. [2]
The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
This musical instrument gained great popularity in the 16th–17th centuries, replacing gusli. [2] There are numerous mentions of domra in historic documents of this period. [ 3 ] In addition, medieval Russian illuminated manuscripts of the Psalter contain images of musicians with necked plucked-string instruments, and some of those miniatures ...
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