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Treble Clef Key Signature Music Flash Cards for Major and Minor Keys. Print double sided and cut along the major lines. If impossible, print the first page and fold to conceal the answers.
The keys of A minor or C major and their scales contain all natural notes, whereas other scales and keys have at least one sharp or flat. F ♭ , C ♭ , E ♯ , B ♯ , and most notes inflected by double-flats and double-sharps correspond in pitch with natural notes but are regarded as enharmonic equivalents of the natural note.
There can be up to seven flats in a key signature, applied as: B ♭ E ♭ A ♭ D ♭ G ♭ C ♭ F ♭ [9] [10] The major scale with one flat is F major. In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
In practice, the choice of key name is restricted to the 30 keys whose signatures have no double flats or double sharps. (Such key signatures are used for so-called theoretical keys which are almost never encountered outside music-theoretical exercises.) [ b ] Keys with 6 flats and 6 sharps, [ c ] with 7 flats and 5 sharps [ d ] and with 5 ...
In rare cases, the flat keys may be extended further: F ♭ → B → E → A → D → G → C. requiring double flats in the key signature. These are called theoretical key signatures, based on the impracticality of their use, rather than the simpler, equivalent key in 12 TET. This principle applies similarly to the sharp keys.
"E-flat was the key Haydn chose most often for [string] quartets, ten times in all, and in every other case he wrote the slow movement in the dominant, B-flat major." [ 2 ] Or "when composing church music and operatic music in E-flat major, [Joseph] Haydn often substituted cors anglais for oboes in this period", and also in Symphony No. 22 .
The slow movement of Beethoven's Hammerklavier piano sonata is written in this key. Aside from a prelude and fugue from each of the two books of The Well-Tempered Clavier, Bach's only other work in F-sharp minor is the toccata BWV 910. Mozart's only composition in this key is the second movement to his Piano Concerto No. 23 in A major. [3]