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Alā yā ayyoha-s-sāqī is a ghazal (love poem) by the 14th-century poet Hafez of Shiraz. It is the opening poem in the collection of Hafez's 530 poems. In this poem, Hafez calls for wine to soothe his difficulties in love. In a series of varied images he describes his feelings.
That the poets of Turkey and India copied Persian metres, not Arabic ones, is clear from the fact that, just as with Persian verse, the most commonly used metres of Arabic poetry (the ṭawīl, kāmil, wāfir and basīṭ) are avoided, while those metres used most frequently in Persian lyric poetry are exactly those most frequent in Turkish and ...
Khājeh Shams-od-Dīn Moḥammad Ḥāfeẓ-e Shīrāzī (Persian: خواجه شمسالدین محمد حافظ شیرازی), known by his pen name Hafez (حافظ, Ḥāfeẓ, 'the memorizer; the (safe) keeper'; 1325–1390) or Hafiz, [1] was a Persian lyric poet [2] [3] whose collected works are regarded by many Iranians as one of the highest pinnacles of Persian literature.
The images in Bustan are delicate in nature and soothing. In the Gulistan, on the other hand, mundane Saadi lowers the spiritual to touch the heart of his fellow wayfarers. Here the images are graphic and, thanks to Saadi's dexterity, remain concrete in the reader's mind. Realistically, too, there is a ring of truth in the division.
Sālhā del talab-ē jām-e Jam az mā mīkard is a ghazal by the 14th-century Persian poet Hāfez of Shiraz.It is no. 142 [1] (but in the Ganjoor website, no. 143) in The Divān of Hafez by Muhammad Qazvini and Qasem Ghani (1941), and 136 in the edition of Parviz Natel-Khanlari (1983, 2nd ed.).
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The Divān of Hafez (Persian: دیوان حافظ) is a collection of poems written by the Iranian poet Hafez. Most of these poems are in Persian, but there are some macaronic language poems (in Persian and Arabic) and a completely Arabic ghazal. The most important part of this Divān is the ghazals.
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