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A print that copies another work of art, especially a painting, is known as a "reproductive print". Multiple impressions printed from the same matrix form an edition . Since the late 19th century, artists have generally signed individual impressions from an edition and often number the impressions to form a limited edition; the matrix is then ...
This form of nature printing, where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art form of its own. The gyotaku method of printmaking uses fish, sea creatures, or similar subjects as its "printing plates". Prints are made using sumi ink and washi paper.
Printmaking is the making of a work of art by transferring ink from the surface upon which the work was originally drawn or otherwise composed to another surface. The main article for this category is Printmaking .
From The Adonis Plant (Fukujusō) Woodblock print, from a set of 12, ōban c. 1815. Shunga (春画) is a type of Japanese erotic art typically executed as a kind of ukiyo-e, often in woodblock print format. While rare, there are also extant erotic painted handscrolls which predate ukiyo-e. [1]
Queen Sonja of Norway has described art as a “unifying force in turbulent times” as she awarded the world’s most important prize for printmaking to Tomas Colbengtson, an indigenous Sámi artist.
From 1950, kinetic art (also called op-art, "optical art") developed, a style that emphasized the visual aspect of art, especially optical effects, which were produced either by optical illusions (ambiguous figures, lingering images, moiré pattern effect), or through movement or plays of light.
Ukiyo-e [a] is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
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