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Russian icons (1 C, 20 P) S. Serbian icons (2 P) U. Ukrainian icons (5 P) Pages in category "Eastern Orthodox icons" The following 32 pages are in this category, out ...
Find of an icon safe on a fireplace: Icon establishment in again built up church The prince Vasily Kvashnja prays before an icon for protection of Kostroma city against Tatars: Carrying out of an icon in the field of fight Icon fragment: The victory over the enemy has occurred thanks to wonderful protection of an icon of Theotokos of St. Theodore
Fr. Jurewicz is held to be one of the most renowned icon painters in North America today, [2] and has painted about a dozen Eastern Orthodox churches across North America.He was a student of the late Archimandrite Cyprian, founder of the Russian school of iconography outside of Russia.
13th century Icon of Our Lady of the Sign from Yaroslavl (Kiev School, ca. 1114. Tretiakov Gallery, Moscow).. The icon of Our Lady of the Sign (Greek: Παναγία Ορωμένη; Church Slavonic: Икона Божией Матери, "Знамение", romanized: Ikona Bozhey Materi, "Znamenie"; Polish: Ikona Bogurodzicy "Znamienie") or Platytera (Greek: Παναγία Πλατυτέρα ...
Ecclesia militans, one of the largest icons in existence. Blessed Be the Host of the Heavenly Tsar (Russian: Благословенно воинство Небесного Царя), also known as the Ecclesia militans ("The Church Militant"), is a grand Russian Orthodox icon commemorating the conquest of Kazan by Ivan IV of Russia (1552).
Eastern Orthodox icons (6 C, 32 P) V. Eastern Christian vestments (1 C, 34 P) Pages in category "Eastern Christian liturgical objects"
Bogorodica Trojeručica (Serbian Cyrillic: Богородица Тројеручица, Greek: Παναγία Τριχερούσα, Panagia Tricherousa, meaning "Three-handed Theotokos") or simply Trojeručica (Тројеручица, Three-handed) is an Eastern Orthodox wonderworking icon believed to have been produced in the 8th century in Palestine by John of Damascus.
Panagia Portaitissa, the Montreal replica. According to the Orthodox Church's sacred tradition, the icon was at one time in the possession of a widow in Nicaea.Not wanting the icon to be seized and destroyed by the iconoclasts, she spent all night in prayer and then cast the icon into the Mediterranean Sea.
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