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A possible depiction of the Great Church of Antioch (to the right) next to the Imperial Palace, from the border of the late 5th century Megalopsychia hunt mosaic, found in Daphne, near Antioch. Domus Aurea (in English Golden House) or the Great Church in Antioch was the cathedral where the Patriarch of Antioch preached.
The Domus Aurea (Latin, "Golden House") was a vast landscaped complex built by the Emperor Nero largely on the Oppian Hill in the heart of ancient Rome after the great fire in 64 AD had destroyed a large part of the city. [1] It replaced and extended his Domus Transitoria that he had built as his first palace complex on the site. [2] [3]
The Domus Aurea was built after 64 AD and the dome was over 13 meters (43 ft) in diameter. [41] This octagonal and semicircular dome is made of concrete and the oculus is made of brick. The radial walls of the surrounding rooms buttress the dome, allowing the octagonal walls directly beneath it to contain large openings under flat arches and ...
The earthquake caused severe damage to many of the buildings in Antioch, including Constantine the Great's great octagonal church Domus Aurea, built on an island in the Orontes River. Only houses built close to the mountain were said to have survived.
This points to how the church became one of the important churches in Antioch in the late sixth century. [4] At the same time, the old cathedral church, the so-called Domus Aurea was destroyed by an earthquake in 588.
Location of the Colossus (in red near the center) on a map of Rome. The Colossus of Nero (Colossus Neronis) was a 30-metre (98 ft) bronze statue that the Emperor Nero (37–68 AD) created in the vestibule of his Domus Aurea, the imperial villa complex which spanned a large area from the north side of the Palatine Hill, across the Velian ridge to the Esquiline Hill in Rome.
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The exedra achieved particular popularity in ancient Roman architecture during the Roman Empire.In the 1st century AD, Nero's architects incorporated exedrae throughout the planning of his Domus Aurea, enriching the volumes of the party rooms, a part of what made Nero's palace so breathtakingly pretentious to traditional Romans, for no one had ever seen domes and exedrae in a dwelling before.
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