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The Indian Arts and Crafts Act of 1990 defines "Native American" as being enrolled in either federally recognized tribes or state recognized tribes or "an individual certified as an Indian artisan by an Indian Tribe." [1] This does not include non-Native American artists using Native American themes. Additions to the list need to reference a ...
In the past, Western art historians have considered use of Western art media or exhibiting in international art arena as criteria for "modern" Native American art history. [47] Native American art history is a new and highly contested academic discipline, and these Eurocentric benchmarks are followed less and less today.
Bill Glass Jr., Cherokee Nation; Anna Mitchell, Cherokee Nation (1926–2012), revived the art of Cherokee pottery for the Western Cherokee; Jane Osti, Cherokee Nation; Jeri Redcorn, Caddo/Citizen Potawatomi (born ca. 1940)
Kiowa winter count by Anko, covers summers and winters for 37 months, 1889-92, ca. 1895. National Archives and Records Administration [1]. Winter counts (Lakota: waníyetu wówapi or waníyetu iyáwapi) are pictorial calendars or histories in which tribal records and events were recorded by Native Americans in North America.
Today argillite carvings are sold in galleries and fine art stores and take on more traditional Haida forms. Haida artists have been carving the black slate of the island of Haida Gwaii for several hundred years. From its conception, the art has depicted a variety of images, from traditional Haida forms, to Western figures.
At that time, the government did not have a separate census designation for Native Americans. Those who remained among the European-American communities were frequently listed as mulatto, a term applied to Native American-white, Native American-African, and African-white mixed-race people, as well as tri-racial people. [43]
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Penney, David W. (2004), North American Indian Art, London: Thames and Hudson, ISBN 0-500-20377-6; Steward, Julian Haynes (1929), "Petroglyphs of California and Adjoining States", University of California Publications in American Archaeology and Ethnology, 24 (2): 47–238
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