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British punk fanzines from the 1970s. A punk zine (or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Punk visual art is artwork associated with the punk subculture and the no wave movement. It is prevalent in punk rock album covers, flyers for punk concerts and punk zines, but has also been prolific in other mediums, such as the visual arts, the performing arts, literature and cinema. [1]
J.D.s zines as a part of the wider queercore movement was an offspring of the musical punk rock scene and reflected anti-corporate ideologies, visuals, and textual choices. [16] Fanzines such as the Homocore series took influence from the punk and GLBTQ subcultures and credited the wider queercore movement with inspiring them to begin publishing.
Slash was a punk rock-related fanzine published by Steve Samiof and Melanie Nissen in the United States from 1977 to 1980. The magazine was a large-format tabloid focused on the Los Angeles punk scene. [1]
Flipside, known as Los Angeles Flipside Fanzine, was a punk zine published in Whittier and Pasadena, California, from 1977 to 2002.The magazine was associated with its own record label, Flipside Records, releasing vinyl records and compact discs beginning in 1978.
A typical punk scene is made up of punk and hardcore bands, fans who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or independent record labels.
Capitol Crisis was a fanzine from the Washington, D.C. punk scene created by musician and disc jockey, Xyra Harper. [1] [2] [3] The zine published five issues from November 1980 to May 1981 and was part of the foundation for D.C.'s emerging punk music scene. [4]
Maximumrocknroll, often written as Maximum Rocknroll and usually abbreviated as MRR, is a not-for-profit monthly online zine of punk subculture and radio show of punk music. Based in San Francisco, MRR focuses on punk rock and hardcore music, and primarily features artist interviews and music reviews. Op/ed columns and news roundups are regular ...