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British punk fanzines from the 1970s. A punk zine (or punkzine) is a zine related to the punk subculture and hardcore punk music genre. Often primitively or casually produced, they feature punk literature, such as social commentary, punk poetry, news, gossip, music reviews and articles about punk rock bands or regional punk scenes.
Punk visual art is artwork associated with the punk subculture and the no wave movement. It is prevalent in punk rock album covers, flyers for punk concerts and punk zines, but has also been prolific in other mediums, such as the visual arts, the performing arts, literature and cinema. [1]
From the early to mid-1980s, post-punk and new wave music groups influenced mainstream male and female fashion. Commercially made slim-fitting suits, thin neckties in leather or bold patterns, striped T-shirts, Members Only jackets , clubwear , metallic fabric shirts, cat eye glasses , horn rim glasses with brightly colored frames, androgynous ...
Early 1980s punk fashion. In the 1980s, new fashion styles developed as parallel resurgences occurred in the United States and United Kingdom.What many recognize as typical punk fashions today emerged from the 1980s British scene, when punk underwent its Oi!/street punk, and UK82 renaissance.
A typical punk scene is made up of punk and hardcore bands, fans who attend concerts, protests, and other events, zine publishers, reviewers, and other writers, visual artists illustrating zines, and creating posters and album covers, show promoters, and people who work at music venues or independent record labels.
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The history of the punk subculture involves the history of punk rock, the history of various punk ideologies, punk fashion, punk visual art, punk literature, dance, and punk film. Since emerging in the United States, the United Kingdom and Australia in the mid-1970s, the punk subculture has spread around the globe and evolved into a number of ...
Damage - officially Damage: An Inventory - was a punk fanzine from San Francisco, California. There were 13 issues, from July 1979 to June 1981, appearing roughly every two months. It was printed on 11-1/2 x 17-3/4″ newsprint. Issues were generally 36 to 48 pages long. Its editor was Brad Lapin.
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