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H.Q.s was a cut-and-paste-style zine that featured manifestos and dialogue about identifying as queer within the realms of the punk community. [6] Other zines that instigated this movement are Chainsaw (punk zine), Outpunk, and Homocore. The queercore zines influenced the Riot Grrrl zines of the late 1980s and 1990s, as well.
[1] [2] The zine's content was centred around anarchic queer-punk themes and heavily discussed queer-skewed punk music from the late 1980s. [3] The zine is widely regarded as being greatly influential in inciting the queercore movement of the 1990s, which created a community for queer youths who were ostracised from both the gay and punk ...
Damage covered the punk scene in Northern and Southern California, as well as international developments. [2] OP magazine called it "one of the best new wave publications". [ 3 ] Reporting on the local scene in the San Francisco Examiner , Bill Mandel said that Damage was "the punk Bible" [for the Bay Area, presumably]. [ 4 ]
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Chainsaw fanzine no.2, September/October 1977 Chainsaw fanzine no.10, August 1980. Chainsaw, a punk zine edited by "Charlie Chainsaw" was published in suburban Croydon in 1977 and ran to fourteen issues before ceasing publication in 1984. A hand-lettered 'n' became a stylised trademark in articles after the 'n' key broke on the editor's typewriter.
Sniffin' Glue and Other Rock 'N' Roll Habits..., widely known as simply Sniffin' Glue, was a monthly punk zine started by Mark Perry in July 1976 and released for about a year. The name is derived from a Ramones song "Now I Wanna Sniff Some Glue." [1] Some of the zine's writers, such as Danny Baker, later became well-known journalists.
Capitol Crisis was a fanzine from the Washington, D.C. punk scene created by musician and disc jockey, Xyra Harper. [1] [2] [3] The zine published five issues from November 1980 to May 1981 and was part of the foundation for D.C.'s emerging punk music scene. [4]
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