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The cathedral is flanked by two square towers, each supported with two buttresses and crowned with a cupola. The façade lacks decoration and is rather architecturally heterogeneous. It shows a Baroque porch and a beautiful Romanesque rose window under a crenellated arch, giving the impression of a fortified church. Altar area, Sé do Porto
A polychrome granite statue (13th century) of Saint Francis of Assisi, standing inside the church next to the entrance within a Baroque altarpiece, is a remnant of the first St Francis church, replaced after 1383 by the present structure. During the 15th and 16th centuries several noble families chose St Francis as their pantheon.
The Clérigos Church was one of the first baroque churches in Portugal to adopt a typical baroque elliptic floorplan. The altarpiece of the main chapel, made of polychromed marble, was executed by Manuel dos Santos Porto. The monumental tower of the church, located at the back of the building, was only built between 1754 and 1763.
English: Altar area of Porto Cathedral, Sé do Porto, built in the 16th century, with Baroque and 20th century modifications. Date: 15 September 2019, 13:32:41:
The main chapel was rebuilt in Mannerist style and features a gilt-woodwork Baroque-Rococo altarpiece designed by famed sculptor Santos Pacheco, who was also responsible for the main altarpiece of Porto Cathedral. The altarpiece incorporates a Holy Mary statue from the 14th century and was carved between 1729 and 1733 by Francisco Machado.
The Porto San Giorgio Altarpiece or Porto San Giorgio Polytpych was a 1470 multi-panel tempera and gold on panel altarpiece by the Italian Renaissance painter Carlo Crivelli. Stylistically similar to Crivelli's Massa Fermana Altarpiece , the work was a fundamental step in his evolution away from the Paduan Renaissance towards a more delicate ...
The chapel had its origins in an old wooden chapel built in praise of Saint Catherine. The construction of the present building began at the end of the 18th century, when the Brotherhood of Souls and Wounds of Saint Francis moved from the Monastery of Santa Clara to the Chapel of Santa Catarina. This led to an increase in popularity of the cult ...
The main altarpiece (1496–1499). Gil was assisted by Diego de la Cruz, who was responsible for the polychromy and some of the figures. [1] The mausoleum of King John II of Castile and of his wife, Isabella of Portugal (1489–1493). The funeral monument for Alfonso son of John II and brother of Isabella I of Castile (1489–1492). For Burgos ...
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