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A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downward. Bird's-eye views can be an aerial photograph , but also a drawing, and are often used in the making of blueprints, floor plans and maps.
Some of these many camera angles are the high-angle shot, low-angle shot, bird's-eye view, and worm's-eye view. A viewpoint is the apparent distance and angle from which the camera views and records the subject. [2] They also include the eye-level shot, over-the-shoulder shot, and point-of-view shot. A high-angle (HA) shot is a shot in which ...
The eye of a bird is larger compared to the size of the animal than for any other group of animals, although much of it is concealed in its skull. The ostrich has the largest eye of any land vertebrate, with an axial length of 50 mm (2.0 in), twice that of the human eye. [1] Bird eye size is broadly related to body mass.
Aerial photography typically refers specifically to bird's-eye view images that focus on landscapes and surface objects, and should not be confused with air-to-air photography, where one or more aircraft are used as chase planes that "chase" and photograph other aircraft in flight.
An 1897 pictorial map of Canonsburg, Pennsylvania by Thaddeus Mortimer Fowler and James B. Moyer. Pictorial maps (also known as illustrated maps, panoramic maps, perspective maps, bird's-eye view maps, and geopictorial maps) depict a given territory with a more artistic rather than technical style. [1]
Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas ...
"Sesame Street" has been gentrified. After 45 seasons, the brick walls that once fenced in the neighborhood have been razed, giving way to sweeping views of what looks suspiciously like the Brooklyn Bridge (it is in fact a composite of three New York City bridges).
The artist Kazimir Malevich (1878–1935), who wrote extensively on the aesthetics and philosophy of modern art, identified the aerial landscape (especially the "bird's-eye view", looking straight down, as opposed to an oblique angle) as a genuinely new and radicalizing paradigm in the art of the twentieth century.