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The Marriage of Figaro (Italian: Le nozze di Figaro, pronounced [le ˈnɔttse di ˈfiːɡaro] ⓘ), K. 492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786.
The Marriage of Figaro (French: La Folle Journée, ou Le Mariage de Figaro ("The Mad Day, or The Marriage of Figaro")) is a comedy in five acts, written in 1778 by Pierre Beaumarchais. This play is the second in the Figaro trilogy, preceded by The Barber of Seville and followed by The Guilty Mother. [1]
Mozart,_The_Marriage_of_Figaro_(overture).ogg (Ogg Vorbis sound file, length 4 min 0 s, 212 kbps, file size: 6.05 MB) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
The Marriage of Figaro has been filmed as opera several times. 1949 film, East German production with actors and dubbed singing voices, except for Willi Domgraf-Fassbaender as Figaro; 1960 film, Australian TV film, sung in English; 1976 film, directed by Jean-Pierre Ponnelle (see above)
Filmmaker James Gray, who is directing a new production of 'The Marriage of Figaro' at L.A. Opera, returns Mozart to his 18th century milieu.
Non più andrai" (You shall go no more) is an aria for bass from Mozart's 1786 opera The Marriage of Figaro, K. 492. The Italian libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). It is sung by Figaro at the end of the first act. [1]
The cavatina " Se vuol ballare" is an aria for bass from the first act of the opera The Marriage of Figaro by Wolfgang Amadeus Mozart. The libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). The Italian title means "If you want to dance".
Kleiber's recording of Le nozze di Figaro would be his only Decca recording of a Mozart opera. [4] Kleiber's Le nozze di Figaro followed more than 30 recordings of the opera. The first recording of the opera was with Fritz Busch at the Glyndenbourne Festival in 1934, a recording which helped to reintroduce Figaro into the repertoire.
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