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Soprano: the highest female voice typically between C 4 and C 6; Mezzo-soprano: the middle female voice typically between A 3 and A 5; Contralto: the lowest female voice typically between F 3 and F 5; Tenor: the highest male voice typically between C 3 and C 5; Baritone: the middle male voice typically between A 2 and A 4
Tenor range: The tenor is the highest male voice within the modal register. The typical tenor voice lies between C 3 (one octave below middle C) to C 5 (one octave above middle C). The low extreme for tenors is roughly A ♭ 2 (the second A-flat below middle C). At the highest extreme, some tenors can sing up to F 5 (the second F above middle C ...
Mezzo-soprano: the middle female voice, between A 3 (A below middle C) and A 5 (two octaves above A 3) Contralto: the lowest female voice, F 3 (F below middle C) to E 5 (two Es above middle C). Rare contraltos possess a range similar to the tenor; Tenor: the highest male voice, B 2 (2nd B below middle C) to A 4 (A above Middle C), and possibly ...
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C 3 (C one octave below middle C), to the high C (C 5). The low extreme for tenors is roughly A 2 (two octaves below middle C). At the highest extreme, some tenors can sing up to F one octave above middle C (F ...
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types.It is the highest male chest voice type. [1] Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B 2 to G 4) in choral music, and from the second B flat below middle C to the C above middle C (B ♭ 2 to C 5) in ...
The whistle register is the highest phonational register, that in most singers begins above the soprano "high D" (D 6 or 1174.6 Hz) and extends to about an octave above (D 7 or 2349.3 Hz). It is created by using only the back of the vocal folds. The lower part of the whistle register may overlap the upper parts of the modal and falsetto ...
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The baritone voice is typically written in the range from the second G below middle C to the G above middle C (G 2 –G 4) although it can be extended at either end.However, the baritone voice is determined not only by its vocal range, but also by its timbre, which tends to be darker than that of the typical tenor voice.
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