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Following the Pāli and Sanskrit language sources, Rāhula was the son of the Buddha-to-be throughout many lifetimes. [9] [17] He developed his habit of being amenable and easy to teach in previous lives. [17] [50] Pāli texts explain that in a previous life he was impressed by the son of a previous Buddha, and vowed to be like him in a future ...
Yaśodharā or Yashodhara (Pali: Yasodharā, Sanskrit: यशोधरा, romanized: Yaśodharā, originally known as Bhaddakaccānā or Bhadrakātyāyani was the wife of Prince Siddhartha (until he left his home to become a śramaṇa), the mother of Rāhula, and the sister of Mahaprajapati Gautami.
[35] [36] The final period of the Buddha's life also shows that Ānanda is still very much attached to the Buddha's person, and he witnesses the Buddha's passing with great sorrow. [37] Shortly after the Buddha's death, the First Council is convened, and Ānanda manages to attain enlightenment just before the council starts, which is a ...
The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a ...
Śuddhodana (Sanskrit: शुद्धोदन; Pali: Suddhodana), meaning "he who grows pure rice," [3] was the father of Siddhartha Gautama, better known as the Buddha. [4] He was a leader of the Shakya, who lived in an oligarchic republic, with their capital at Kapilavastu.
Both the figure of Gotama Buddha giving his inheritance to his son, and the figure of Dīpankara Buddha giving his inheritance of Buddhahood to Sumedha are depicted with flames emitting from their bodies; both scenes are depictions of inheritance, filial and disciple piety; both may have been considered by fifth-century Buddhists to be ...
Birth of the Buddha, Lorian Tangai, Gandhara.The Buddha is shown twice: being received by Indra, and then standing up immediately after. The iconography of the events reflects the elaborated versions of the Buddha's life story that had become established from about 100 AD in Gandharan art and elsewhere, such as Sanchi and Barhut, and were given detailed depictions in cycles of scenes ...
The Vālmiki Ramāyana mentions a Maharishi Gautam, who had his hermitage in Mithila where he lived with his wife, Ahalya. The Vayu Puraṇa refers to a sage named Akṣapāda, who was the conceiver of the Nyāya philosophy, as Maharishi Gautam. Akṣapāda was the same as Ahalya's husband Maharishi Gautam of Mithila. [1] Nodha, a son of ...