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The following is a list of commonly used chord progressions in music. Code ... I–V–vi–IV chord progression in C: 4: Major ... List of musical scales and modes;
In many styles of popular and traditional music, chord progressions are expressed using the name and "quality" of the chords. For example, the previously mentioned chord progression, in the key of E ♭ major, would be written as E ♭ major–B ♭ major–C minor–A ♭ major in a fake book or lead sheet.
The chord progression for Locrian starting on B is B dim 5, C Maj, D min, E min, F Maj, G Maj, A min. Its tonic chord is a diminished triad (B dim = B dim 5 min 3 = B D F , in the Locrian mode using the white-key diatonic scale with starting note B, corresponding to a C major scale starting on its 7th tone).
The bebop major scale is derived from the Ionian mode (major scale) and has a chromatic passing note added (a ♯ 5) between the 5th and 6th degrees of the major scale. . Adding the ♯ 5 note to the seven-note major scale allows the chord tones 1, 3, 5 and 6 (a major 6th chord) to land on on-beats when the scale is played sequen
The seventh scale degree is very often raised a half step to form a leading tone, making the dominant chord (V) a major chord (i.e. V major instead of v minor) and the subtonic chord (vii), a diminished chord (vii o, instead of ♭ VII). This version of minor scale is called the harmonic minor scale.
Although B major is usually considered a remote key (due to its distance from C major in the circle of fifths and fairly large number of sharps), Frédéric Chopin regarded its scale as the easiest of all to play on the piano, as its black notes fit the natural positions of the fingers well; as a consequence he often assigned it first to beginning piano students, leaving the scale of C major ...
In the minor mode, a common borrowed chord from the parallel major key is the Picardy third. In the major mode, the most common examples of borrowed chords are those involving the ♭, also known as the lowered sixth scale degree. These chords are shown below, in the key of C major. [8]
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
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