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Shilpa Shastras (Sanskrit: शिल्प शास्त्र śilpa śāstra) literally means the Science of Shilpa (arts and crafts). [1] [2] It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards.
The Didarganj Yakshi (or Didarganj Chauri Bearer; Hindi: दीदारगंज यक्षी) is one of the finest examples of very early Indian stone statues.It used to be dated to the 3rd century BCE, as it has the fine Mauryan polish associated with Mauryan art, but another Yakshi is also found but without polish so it is also dated to approximately the 2nd century CE, based on the ...
Like many other poses used in traditional Indian dance, including Odissi, Bharata Natyam and Kathak, Tribhangi or Tribhanga can be found in Indian sculpture as well. . Traditionally the Yakshi is shown with her hand touching a tree branch, and a sinuous pose, tribhanga pose, as is Salabhanjika, whose examples dating to the 12th century can be found in the Hoysala temples of Belur, in south ...
Apsaras on Hindu Temple at Banares, 1913. The origin of 'apsara' is the Sanskrit अप्सरस्, apsaras (in the stem form, which is the dictionary form). Note that the stem-form ends in 's' as distinct from, e.g. the nominative singular Rāmas / Rāmaḥ (the deity Ram in Hindi), whose stem form is Rāma.
Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
The Adiyogi Shiva bust is a 34-metre tall (112 ft), 45-metre long (147 ft) and 25-metre wide (82 ft) steel bust of Shiva with Thirunamam at Coimbatore, Tamil Nadu.It is recognized by the Guinness World Records as the "Largest Bust Sculpture” in the world.
The objects can range from sculpture, masks (used in rituals and ceremonies), paintings, textiles, baskets, kitchen objects, arms and weapons, and the human body itself (tattoos and piercings). There is a deep symbolic meaning that is attached to not only the objects themselves but also the materials and techniques used to produce them.
Abhinavagupta; Adi Shankara; Akka Mahadevi; Allama Prabhu; Alvars; Basava; Chaitanya; Ramdas Kathiababa; Chakradhara; Chāngadeva; Dadu Dayal; Eknath; Gangesha Upadhyaya