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It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
Under Bemet, she learned of innovative ideas of Arthur Wesley Dow, a colleague of her instructor. Dow's approach was influenced by principles of Japanese art regarding design and composition. She began to experiment with abstract compositions and develop a personal style that veered away from realism and towards abstract art. [1] [9]
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905 O'Keeffe experimented with depicting flowers in her high school art class.
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
O'Keeffe mastered painting with the watercolors, using hand-ground pigments. [5] She experimented with design, like using trees and shrubs to frame a painting. [ 5 ] One of the exercises from Dow's book, Composition , is to create "a landscape, reduced to its main lines, all detail being omitted", like the way O'Keeffe excluded doors from some ...
Spiral Screw Flowers II: 37.4 x 48.3 Sprengel Museum, Hanover Watercolour and pencil on paper, on cardboard 1932 Walk in the Orient: 21 x 33 Barnes Foundation, Philadelphia Watercolour on paper, on paperboard 1932 Athlete's Head: 62.9 x 47.9 Metropolitan Museum of Art, New York Watercolor, gouache, and graphite on paper, on cardboard 1932 Two ...
Georgia O'Keeffe, Drawing No. 2 - Special, charcoal on Fabriano laid paper, 60 x 46.3 cm (23 5/8 x 18 1/4 in.), 1915, National Gallery of Art Charcoal drawings by Georgia O'Keeffe from 1915 represents Georgia O'Keeffe's first major exploration of abstract art and attainment of a freedom to explore her artistic talents based upon what she felt and envisioned. [1]
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