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Strand was particularly influential in her development of cropped, close-up images. She received unprecedented acceptance as a female artist from the fine art world due to her powerful graphic images. [6] Depictions of small flowers that fill the canvas suggest the immensity of nature and encourage viewers to looks at flowers differently. [2]
In 2014, O'Keeffe's 1932 painting Jimson Weed/White Flower No. 1 sold for $44,405,000—at the time, by far the largest price paid for any painting by a female artist. [10] Her works are in the collections of several museums, and following her death, the Georgia O'Keeffe Museum was established in Santa Fe.
It is a depiction of the large petals of the exterior of the flower, with focus on the interior through the use of contrasting shades of colors. The painting was made with red, orange, brown, and pink paint. [12] The 22 in × 17 in (56 cm × 43 cm) abstract oil painting is owned by private collectors. [13]
O'Keeffe began painting the centres of flowers in 1924. [ 14 ] [ 15 ] The first show of her enlarged flowers was at the Anderson Galleries in 1926. [ 16 ] The black irises were a recurring subject: She painted another oil called The Black Iris (CR 558), also known as The Dark Iris No. II and Dark Iris , a small (9x7") oil in 1926. [ 17 ]
Spiral Screw Flowers II: 37.4 x 48.3 Sprengel Museum, Hanover Watercolour and pencil on paper, on cardboard 1932 Walk in the Orient: 21 x 33 Barnes Foundation, Philadelphia Watercolour on paper, on paperboard 1932 Athlete's Head: 62.9 x 47.9 Metropolitan Museum of Art, New York Watercolor, gouache, and graphite on paper, on cardboard 1932 Two ...
According to art critic Alice Guillermo, Bernardo was "one of the earliest and most consistent exponents of abstract art in the Philippines". She wrote in the CCP Encyclopedia of Art that Bernardo worked in series, "combining geometrism and color research in such work groupings as the Bernardian series, the Rhapsody Square series, and the ...
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