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The ghazal [a] is a form of amatory poem or ode, [1] originating in Arabic poetry. [2] Ghazals often deal with topics of spiritual and romantic love and may be understood as a poetic expression of both the pain of loss or separation from the beloved and the beauty of love in spite of that pain. [2] [3]
Sīne mālāmāl-e dard ast ("My heart is brimful of pain") is a nine-verse ghazal (love-song) by the 14th-century Persian poet Hafez of Shiraz. It is no. 470 in the edition by Muhammad Qazvini and Qasem Ghani (1941) and 461 in the edition of Parviz Natel-Khanlari (1983). In this poem, Hafez describes the torments of his desire for love and ...
Shakir's poetry often speaks of pain, its pain and its joy. [20] It also often mentions loss and loneliness, [ 21 ] grief, shattered dreams, life after a break-up [ 22 ] and the healing power of love.
The Planescape campaign setting of Dungeons & Dragons features a character called the Lady of Pain, which was inspired by the poem's central character, as explored by author Troy Denning in his 1997 novel Pages of Pain which directly quotes Dolores and reimagines many elements of the poem into the narrative.
Genres of Islamic poetry include Ginans, devotional hymns recited by Ismailis; Ghazal, poetic expression of the pain of loss or separation and the beauty of love in spite of that pain. [1] [2] and Qasida, written poetry, often translated as ode, passed on through the Arab Muslim expansion; and blank verse (shi'r musal).
The poems "Pain", "A Few Lines" and "Genevieve" were written during his final year, but he experienced various illnesses during his stay that were the result of either chronic illness or illnesses resulting from his own actions, including swimming across the New River which resulted in rheumatic fever. To combat the many fevers, Coleridge was ...
Hugh Grant and his 'Love Actually' co-stars sat down for an interview with Diane Sawyer 19 years after the holiday film hit theaters.
Love Is Not All: It Is Not Meat nor Drink is a 1931 poem by Edna St. Vincent Millay, written during the Great Depression. [1]The poem was included in her collection Fatal Interview, a sequence of 52 sonnets, appearing alongside other sonnets such as "I dreamed I moved among the Elysian fields," and "Love me no more, now let the god depart," rejoicing in romantic language and vulnerability. [2]
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