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The Bird with the Crystal Plumage (Dario Argento, 1970; Italian: L'uccello dalle piume di cristallo) a.k.a. Phantom of Terror, a.k.a. The Gallery Murders; Hatchet for the Honeymoon (Mario Bava, 1970; Italian: Il rosso segno della follia / The Red Mark of Madness) a.k.a. Blood Brides
Molly Caldwell Crosby (born August 22, 1972) [1] is a journalist and author of three literary nonfiction books: The American Plague, Asleep, and The Great Pearl Heist.. Crosby received her BA from Rhodes College in Memphis, Tennessee, and her MFA from Johns Hopkins University’s Zanvyl Krieger School of Arts and Sciences. [2]
Pure, White and Deadly is a 1972 book by John Yudkin, a British nutritionist and former Chair of Nutrition at Queen Elizabeth College, London. [1] Published in New York, it was the first publication by a scientist to anticipate the adverse health effects, especially in relation to obesity and heart disease, of the public's increased sugar consumption.
The statues that are models of humans have the spirit of that particular person inside of them, enabling them to talk. Being the 'spitting image' of that person, they are called 'Spits'. Spits are the good guys against the evil villain taints. The Gunner – the first 'Spit' George meets in the book.
The book was first published in hardcover by W. W. Norton & Company in November 2011. [1] The paperback was published by W. W. Norton in May 2013 under the new title Atrocities: The 100 Deadliest Episodes in Human History. The British edition (Canongate Books, 20 October 2011) is entitled Atrocitology: Humanity's 100 Deadliest Achievements. It ...
Crome Yellow is the first novel by British author Aldous Huxley, published by Chatto & Windus in 1921, followed by a U.S. edition by George H. Doran Company in 1922. Though a social satire of its time, it is still appreciated and has been adapted to different media.
Sinclair called The Brass Check "the most important and most dangerous book I have ever written." [2] The University of Illinois Press released a new edition of the book in 2003, which contains a preface by Robert W. McChesney and Ben Scott. The text is also freely available on the Internet, as Sinclair opted not to copyright the text in an ...
The motif of the insect became widely used in science fiction as an "abject human/insect hybrids that form the most common enemy" in related media. [11] Bugs or bug-like shapes have been described as a common trope in them, and the term 'insectoid' is considered "almost a cliche" with regards to the "ubiquitous way of representing alien life".