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Sonnet II", also known by its opening words as "As Due By Many Titles", is a poem written by John Donne, who is considered to be one of the representatives of the metaphysical poetry in English literature. It was first published in 1633, two years after Donne’s death. It is included in the Holy Sonnets – a
The Holy Sonnets were not published during Donne's lifetime. It is thought that Donne circulated these poems amongst friends in manuscript form. For instance, the sonnet "Oh my black soul" survives in no fewer than fifteen manuscript copies, including a miscellany compiled for William Cavendish, 1st Duke of Newcastle-upon-Tyne.
One of the most famous of Donne's conceits is found in "A Valediction: Forbidding Mourning" where he compares the apartness of two separated lovers to the working of the legs of a compass. Donne's works are also witty, employing paradoxes, puns and subtle yet remarkable analogies. His pieces are often ironic and cynical, especially regarding ...
There is no scholarly consensus regarding the structure of Holy Sonnet XIV; different critics refer to particular parts of this poem either as an octave and a sestet (following the style of the Petrarchan sonnet, with a prominent example being Robert H. Ray's argument [4]), three quatrains and a couplet (the division established by the English sonnet, an example being an article by ...
Fonte's work also quotes directly and indirectly from both Petrarch's "Sonnet 263" and Orlando Furioso. [6] [7] The dialogue style of Fonte's work was influenced by Baldassare Castiglione and Pietro Bembo. [8] Virginia Cox claims that the work was influenced by the changing economy of Italy in the late sixteenth-century. This period was ...
What does "The account of Donne's life in the 1590s from an early biographer, Izaak Walton, reminds him as a young rake. Scholars theorise this to be declining, since the account was given by the older Donne, after being obtained; he may have wanted to separate, more cleanly than was possible, the younger man-about-town from the older clergyman."
The Dream (Donne poem) E. Elegy XIX: To His Mistress Going to Bed; F. The Flea (poem) G. Go and Catch a Falling Star; The Good-Morrow; H. Holy Sonnets; The Holy ...
The turn in poetry has gone by many names. In "The Poem in Countermotion", the final chapter of How Does a Poem Mean?, John Ciardi speaks thus of the "fulcrum" in relation to the non-sonnet poem "O western wind" (O Western Wind/when wilt thou blow/The small rain down can rain//Christ! my love were in my arms/and I in my bed again): 'The first two lines are a cry of anguish to the western wind ...