Search results
Results from the WOW.Com Content Network
Cue cards were originally used to aid aging actors. One early use was by John Barrymore in the late 1930s. Cue cards did not become widespread until 1949 when Barney McNulty, [3] a CBS page and former military pilot, was asked to write ailing actor Ed Wynn's script lines on large sheets of paper to help him remember his script. McNulty ...
Feresten's first cue card handling job was in 1990 during a "Sprockets" sketch featuring host Kyle MacLachlan. [3] His first appearance on camera was in 1991 during a monologue featuring Steve Martin. Feresten had his first spoken lines on the show in 1993 during an Alec Baldwin monologue. [4] Feresten became the cue card handler for Last Call ...
The song was never released as a single, but there was a video for it, which followed "Need You Tonight". Both the video and the song pay homage to the promotional film clip for Bob Dylan's "Subterranean Homesick Blues", as the members flip cue cards with words from the song on them, followed by Kirk Pengilly with a Soprano saxophone solo.
Richard Curtis, director of beloved 2003 Christmas romcom Love Actually, has revealed that the show’s famous cue card scene could have been very different. The film stars an ensemble cast ...
NEW YORK (AP) -- David Letterman's longtime cue-card holder says he wound up cuing his own firing by getting aggressive with a colleague. Tony Mendez tells the New York Post in a story published ...
The three locations for the "cue card" clip as seen in Dont Look Back The clip was originally a segment of D. A. Pennebaker's film Dont Look Back. In addition to its influence on music, the song was used in one of the first "modern" promotional film clips, the forerunner of what was later known as the music video.
The NYPD released new photos of a person of interest they want to speak to in connection to the Dec. 4, 2024 shooting death of UnitedHealthcare CEO Brian Thompson. / Credit: NYPD Crime Stoppers
Notes or cue cards, on the other hand, require the presenter to look at them instead of at the lens, which can cause the speaker to appear distracted, depending on the degree of deflection from the natural line of sight to the camera lens, and how long the speaker needs to glance away to glean the next speaking point; speakers who can ...