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Bliss, originally titled Bucolic Green Hills, is the default wallpaper of Microsoft's Windows XP operating system. It is a photograph of a green rolling hills and daytime sky with cirrus clouds . Charles O'Rear , a former National Geographic photographer, took the photo in January 1998 near the Napa – Sonoma county line, California, after a ...
The iDog Pup, a puppy version of the iDog with poseable ears and a moving head, was released in 2007 and was a localized version of the iDog Mini released in Japan in 2005. Also in 2007, two variants called "SpiDogs" were released to promote the film Spider-Man 3. They resemble the standard red Spider-Man costume and the black costume. In 2008 ...
Frutiger Aero (/ f r uː t ɪ ɡ ə r ɛ ə r ə ʊ /), sometimes known as Web 2.0 Gloss, [1] is a retrospective name applied to a design trend observed mainly in user interfaces, product design, and Internet aesthetics from the mid-2000s to the early 2010s. [2]
Susan Kare (/ k ɛər / "care"; born February 5, 1954) is an American artist and graphic designer, who contributed interface elements and typefaces for the first Apple Macintosh personal computer from 1983 to 1986. [1] She was employee #10 and creative director at NeXT, the company formed by Steve Jobs after he left Apple in 1985.
The work was a single 2008 Windows laptop loaded with six malware programs. [11] The programs included were those that had purportedly caused nearly $100 billion in damage to the global economy. [11] [12] On July 9th, 2018, MSCHF began releasing a series called "man eating food" on YouTube through two channels, "man eating food" and "temp".
[338] [339] The group includes many different animals like rabbits, birds, cats, dogs, and squirrels, living alongside humans. [336] Designed by the Sanrio designer Amy who also created Gudetama . [ 340 ] [ 341 ] She got the idea for the series when she read about a guide dog working with a Sanrio employee. [ 337 ]
The phrase also indicates the ease of computer cross-dressing: representing oneself as of a different gender; age; race; social, cultural, or economic class, etc. [15] In a similar sense, "the freedom which the dog chooses to avail itself of, is the freedom to 'pass' as part of a privileged group; i.e., human computer users with access to the ...
He approaches the motion picture as a series of distinct, but related domains of aesthetic manipulation: camera, image, editing, projection, screen, and sound. His construction of formalist motion pictures argues against a medium-specific definition and chooses a broad description of formal potentials instead.