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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
Suite of Six Short Pieces for piano (1921) Arranged for string orchestra by James Brown in collaboration with the composer as The Charterhouse Suite (1923) Prelude and Fugue in C minor for organ (1921) Version for orchestra (1930) Hymn Tune Prelude on 'Song 13' by Orlando Gibbons for piano (1930) Arranged for string orchestra by Helen Glatz
In setting the four hymns to music, Vaughan Williams chose poems by Jeremy Taylor, Isaac Watts, Richard Crashaw, and Robert Bridges (a translation from the Greek). The cycle is sometimes called Four Hymns for Tenor and Strings and performed in an orchestrated version with a string orchestra replacing the piano part.
contralto or mezzo-soprano and orchestra (or piano) pub. 1897 as Love alone will stay — C. Alice Elgar: Boosey 37.3: 1899 "Sabbath Morning at Sea" song: from Sea Pictures contralto or mezzo-soprano and orchestra (or piano) — Elizabeth Barrett Browning: Boosey 37.4: 1899 "Where Corals Lie" song: from Sea Pictures contralto or mezzo-soprano ...
List of hymns by George Frideric Handel HWV Title Voice Composed Notes Text 202 Künft'ger Zeiten eitler Kummer Soprano London, c. 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott." 203 Das zitternde Glänzen der spielenden Wellen Soprano London, c. 1724–26 by B.H. Brockes from "Irdisches Vergnügen in Gott." 204
The orchestra consists of oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, in Part I the song of the angels, Glory to God in the highest , and with timpani the closing movements of both Part II, Hallelujah , and of Part III, Worthy is the Lamb .
Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of Mozart's Don Giovanni; Concerto soiree for piano and orchestra; Concerto in E minor for piano and orchestra (piccolo mondo antico) Concerto in C major for piano and orchestra; Albert Roussel. Concerto in C, Op ...
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