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The "Twin" version of the song became one of the first from a minor K-pop label to find global commercial success after a sped-up version of it went viral on TikTok. "Cupid" was Fifty Fifty's first entry on both the Billboard Hot 100 and the UK Singles Chart , making the group the fastest Korean musical act to enter either chart after their debut.
Cupid" consequently entered the Billboard Hot 100 on March 27, making them the sixth group and the fastest K-pop group in history to do so. [ 23 ] [ 24 ] The song went on to become the highest-charting hit by a South Korean girl group in the history of the Pop Airplay chart, [ 25 ] and the second South Korean music act to land on the Adult Pop ...
A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up edit) is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect identical to playing a 33⅓-RPM vinyl record at 45 RPM.
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For example, one could move the pitch of every note up by a perfect fifth, keeping the tempo the same. One can view this transposition as "pitch shifting", "shifting" each note up 7 keys on a piano keyboard, or adding a fixed amount on the Mel scale, or adding a fixed amount in linear pitch space. One can view the same transposition as ...
It should only contain pages that are Cupid (singer) songs or lists of Cupid (singer) songs, as well as subcategories containing those things (themselves set categories). Topics about Cupid (singer) songs in general should be placed in relevant topic categories .
Song Title (English/Korean) [1] Artist Latest appearance Notes Ignition Starts 이그니션 스타츠 BanYa: Pump It Up Prime 2: Ignition Starts is the first PIU Original song, as well as the very first song in Pump It Up series, and one of the handful of PIU original songs that were not revived in Pump It Up Fiesta until its revival in Pump It Up Prime ver. 1.01.0.
The monaural version of the album, which was originally available only in the UK, [74] similarly used a suboptimal version of the recording. [75] In this case, as with the three other new songs presented to United Artists, the engineers combined the two channels from the duophonic mix, rather than use the true mono mix from April 1967. [75] [nb 6]