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Fra Angelico, O.P. (/ f r ɑː æ n ˈ dʒ ɛ l ɪ k oʊ /; [1] Italian: [fra anˈdʒɛliko]; born Guido di Pietro; c. 1395 [2] – 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his Lives of the Artists as having "a rare and perfect talent". [3]
Crucifixion with Mourners and St Dominic (c. 1436) by Fra Angelico. Crucifixion with Mourners and St Dominic is a fresco fragment by the Italian early Renaissance painter Fra Angelico, executed c. 1435, from the refectory of the Convent of San Domenico, Fiesole, now in the Louvre.
Fra Angelico planned the San Marco Altarpiece's iconography around Dominican themes. Within the painting, Angelico references practices of the Dominican Mass. Just as the deacon and subdeacon knelt while helping the Dominican priest during Mass, [10] Saints Cosmas and Damian kneel in this altarpiece. The priest would also stand in the center of ...
The work is Fra Angelico's first documented work. It comes from the convent of San Pietro Martire and a document from 30 March 1429 notes a sum of 20 florins owed to the convent of San Domenico, Fiesole, where the painter was a monk.
"His Master's Voice" window, RCA Victor building, Camden, NJ, 1916 (National Museum of American History) Nicola D'Ascenzo (September 25, 1871, Torricella Peligna, Italy – April 13, 1954, Philadelphia, Pennsylvania) was an Italian-born American stained glass designer, painter and instructor.
The Annunciation (c. 1440–1445) [1] is an Early Renaissance fresco by Fra Angelico in the Convent of San Marco in Florence, Italy. When Cosimo de' Medici rebuilt the convent, he commissioned Fra Angelico to decorate the walls with intricate frescos.
The Bosco ai Frati altarpiece executed by Fra Angelico in tempera on wood (174x174 cm) and dating to 1450–1452, is nowadays conserved in the Museo nazionale di San Marco in Florence. In 1542 an earthquake occasioned serious damage to convent, especially the bell tower. The convent once more fell on hard times and was suppressed by Napoleon.
Above the entrance door is a badly deteriorated fresco by Fra Angelico depicting Christ in Pietà, alluding to the Resurrection awaiting those who nourished by him. Today the room contains works presenting the artistic activity of the second great painter who lived in San Marco at the beginning of the 16th century: Fra Bartolomeo .
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