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"An Image of Africa: Racism in Conrad's Heart of Darkness" is the published and amended version of the second Chancellor's Lecture given by Nigerian writer and academic Chinua Achebe at the University of Massachusetts Amherst in February 1975. The essay was included in his 1988 collection, Hopes and Impediments.
Another example for subverting binary taxonomies is the book Contemporary African Art after 1980 by Okwui Enwezor and Chika Okeke-Agulu. [21] Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial.
Constitutionalism is descriptive of a complicated concept, deeply embedded in historical experience, which subjects the officials who exercise governmental powers to the limitations of a higher law. Constitutionalism proclaims the desirability of the rule of law as opposed to rule by the arbitrary judgment or mere fiat of public officials ...
Africa Must Unite (1963). ISBN 0-901787-13-2 [292] African Personality (1963) [293] The essence of neo-colonialism is that the State which is subject to it is, in theory, independent and has all the outward trappings of international sovereignty. In reality its economic system and thus its political policy is directed from outside. —
Decolonising the Mind: the Politics of Language in African Literature (Heinemann Educational, 1986), by the Kenyan novelist and post-colonial theorist Ngũgĩ wa Thiong'o, is a collection of essays about language and its constructive role in national culture, history, and identity.
His research interests include constitutionalism in Islamic and African countries, secularism, and Islam and politics. Professor An-Na'im directed the following research projects which focus on advocacy strategies for reform through internal cultural transformation: Women and Land in Africa; Islamic Family Law
Scramble for Africa Africa in the years 1880 and 1913, just before the First World War. The "Scramble for Africa" between 1870 and 1914 was a significant period of European imperialism in Africa that ended with almost all of Africa, and its natural resources, claimed as colonies by European powers, who raced to secure as much land as possible while avoiding conflict amongst themselves.
Afro-Surrealism more specifically incorporates aspects of the Harlem Renaissance, Négritude, and Black Radical Imagination as described by Robin D. G. Kelley in his book Freedom Dreams: The Black Radical Imagination, [5] and further with his Afro-surreal historical anthology, Black, Brown, & Beige: Surrealist Writings from Africa and the ...