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Blade Runner is a 1982 science fiction film directed by Ridley Scott from a screenplay by Hampton Fancher and David Peoples. [7] [8] Starring Harrison Ford, Rutger Hauer, Sean Young, and Edward James Olmos, it is an adaptation of Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep?
Blade Runner – The Aquarelle Edition is a 2013 film reinterpretation of Blade Runner (1982). Running 35 minutes, the film follows the general storyline of the original film while taking certain liberties, with the film creator, Anders Ramsell referring to the film as a "paraphrase" of the original Blade Runner. [232]
A new audiobook version was released in 2007 by Random House Audio to coincide with the release of Blade Runner: The Final Cut. This version, read by Scott Brick, is unabridged and runs approximately 9.5 hours over eight CDs. This version is a tie-in, using the Blade Runner: The Final Cut film poster and Blade Runner title. [6]
The Bladerunner (also published as The Blade Runner) is a 1974 science fiction novel by Alan E. Nourse, about underground medical services and smuggling.It was the source for the title, but no major plot elements, of the 1982 film Blade Runner, adapted from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick, [1] though elements of the Nourse novel recur in a pair of 2002 films ...
Seven different versions of Ridley Scott's 1982 science fiction film Blade Runner have been shown, either to test audiences or theatrically. The best known versions are the Workprint, the US Theatrical Cut, the International Cut, the Director's Cut, [1] and the Final Cut. These five versions are included in both the 2007 five-disc Ultimate ...
The "Gladiator II" director says he learned "never believe your own press" from the ordeal. Some people frame awards or diplomas. Then there's director Ridley Scott, who has a 42-year-old review ...
Despite the initial appearance and marketing of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to ...
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