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Antipolo by Fernando Amorsolo, depicting Filipinos celebrating the annual pilgrimage to Antipolo, with the pre-War cathedral depicted in the background.. After graduating from the University of the Philippines, Amorsolo worked as a draftsman for the Bureau of Public Works as a chief artist at the Pacific Commercial Company and as a part-time instructor at the University of the Philippines. [7]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
Displayed on opposite sides of the foyer are two mural paintings by National Artist Fernando Amorsolo, titled The Dance and The History of Music. [8] Since the 1996 foreclosure, the original murals are in the GSIS Museum and so reproductions were made for the NCCA-led restoration. [ 10 ]
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo, and to his brother Pablo. [1]
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Fabián de la Rosa, the mentor and uncle of Fernando Amorsolo and his brother Pablo Amorsolo (1898–1945) had his own technique of painting women. De la Rosa painted a group of Women Working in a Rice Field in 1902 and his portrait of a Young Filipina in 1928. Pablo Amorsolo himself painted his own rendition of a female Fruit Vendor (undated).
Held in collaboration with the Fernando Amorsolo Art Foundation, the exhibit comprises 15 reinterpretations of works by National Artist Fernando Amorsolo, which Lecaroz renders into spontaneous realism. “Exploring the idea of translation as reinterpretation, Lecaroz effectively borrows Amorsolo’s timeless subjects to explore her present-day ...
Paintings he saw dealt with similar themes and were done in a limited technique that mostly followed the works of Fernando Amorsolo, the first Philippine national artist and the most popular painter of the time. He recognized that there was no creativity whatsoever, and that the artists of that time were merely "copying" each other.