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The Lesche of the Knidians (or Cnidians) was a lesche, i.e. a club or meeting place, at the sanctuary of Apollo in Delphi. Today, it has been mostly destroyed; the only surviving parts are some architectural relics. It hosted two famous paintings by the famous painter Polygnotus the Thasian, namely the Capture of Troy and the Nekyia. It was ...
Jupiter, Neptune and Pluto (c. 1597) is a painting by Italian Baroque master Michelangelo Merisi da Caravaggio. It is located in the Villa Aurora, the former hunting lodge of the erstwhile Villa Ludovisi, Rome. It is unusually painted in oils on plaster and hence it is not a fresco, although it is sometimes (incorrectly) referred to as such.
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The painting depicts the moment when the god Apollo, identifiable by the crown of laurel on his head, visits Vulcan, who is found making weapons for war. The god Apollo tells Vulcan that his wife, Venus, is having an affair with Mars, the god of war. For this reason, the other figures in the room are looking in surprise at the god who has just ...
Where traditional compositions generally contrast an ordered, harmonious heavenly world above with the tumultuous events taking place in the earthly zone below, in Michelangelo's conception the arrangement and posing of the figures across the entire painting give an impression of agitation and excitement, [4] and even in the upper parts there is "a profound disturbance, tension and commotion ...
Parnassus or Apollo and the Muses is an oil painting by Nicolas Poussin, from c. 1631-1633. It was inspired by the famous Raphael's Parnassus in the Stanza della Segnatura, and it is now held in the Prado Museum, in Madrid. Among the figures depicted are Apollo and, most likely, Homer.
The Death of Hyacinthos, sometimes referred to as The Death of Hyacinth, is an oil painting completed by Jean Broc in 1801. This is Broc's most famous work and is considered to be drawn from the Metamorphoses by Ovid. It is a depiction of the dead Hyacinthos cradled by his lover, the Greek god Apollo.
Metropolitan Museum of Art. The Persephone Painter, working from about 475 to 425 BCE, is the pseudonym of an ancient Attic Greek vase painter, named by Sir John Beazley after investigating a red-figure bell-krater vase of about 440 BC, which includes a mythological scene of the return of Persephone from Hades.